Happy New Year
I wish Happy and Lucky New Year to my readers!
Antal Fery
BÚÉK - Réthy István, 1965
woodcut, paper
Image source: ganymedes.lib.unideb.hu
Monday, December 31, 2012
Monday, December 31, 2012
Antal Fery
BÚÉK - Réthy István, 1965
woodcut, paper
Image source: ganymedes.lib.unideb.hu
Antal Fery
BÚÉK - Réthy István, 1965
woodcut, paper
Image source: ganymedes.lib.unideb.hu
Wednesday, December 26, 2012
Wednesday, December 26, 2012
Graphics from the Pitmann collection
(only in hungarian)
Tuesday, December 25, 2012
Tuesday, December 25, 2012
.jpg)
Lajos Szalay
Kings of Betlehem, 1980
ink, paper
Attila József
KINGS OF BETLEHEM
Little Jesus, God bless Thee, God bless Thee,
Royal kings we are all three.
Above us shone a blazing star,
on foot we’ve come from very far.
A little lamb so surely said
that Jesus Christ lay here in bed.
My name is King Melchior.
Help me, help me, my dear Lord.
Good day to you, Son of God, Son of God,
Silly old priests we are not.
News of your birth has travelled far,
King of the poor we’ve heard you are.
Hence our little visitation,
heaven’s kingdom’s our salvation.
My name’s Jasper and I think
I’m a kind of worldly king.
Greetings to you, Saviour, Saviour,
Our land is much sunnier.
All our sausage we have eaten,
our fine boots look weatherbeaten,
six handfuls of gold we have got,
also incense in a big pot.
King Balthazar, yes, that’s me:
The Saracen of the three.
Flushes-blushes sweet Mary, sweet Mary,
little mother she’s happy.
Casting down her eyes she peers
at her Jesus through her tears;
hear the shepherds’ music-playing,
feeding time bears no delaying.
Kindly three kings make your bow,
I must bid you farewell now.
Sadler, John P.
Merry Christmas!
.jpg)
Kings of Betlehem, 1980
ink, paper
Attila József
KINGS OF BETLEHEM
Little Jesus, God bless Thee, God bless Thee,
Royal kings we are all three.
Above us shone a blazing star,
on foot we’ve come from very far.
A little lamb so surely said
that Jesus Christ lay here in bed.
My name is King Melchior.
Help me, help me, my dear Lord.
Good day to you, Son of God, Son of God,
Silly old priests we are not.
News of your birth has travelled far,
King of the poor we’ve heard you are.
Hence our little visitation,
heaven’s kingdom’s our salvation.
My name’s Jasper and I think
I’m a kind of worldly king.
Greetings to you, Saviour, Saviour,
Our land is much sunnier.
All our sausage we have eaten,
our fine boots look weatherbeaten,
six handfuls of gold we have got,
also incense in a big pot.
King Balthazar, yes, that’s me:
The Saracen of the three.
Flushes-blushes sweet Mary, sweet Mary,
little mother she’s happy.
Casting down her eyes she peers
at her Jesus through her tears;
hear the shepherds’ music-playing,
feeding time bears no delaying.
Kindly three kings make your bow,
I must bid you farewell now.
Sadler, John P.
Saturday, December 08, 2012
Saturday, December 08, 2012
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Thursday, December 06, 2012
Thursday, December 06, 2012
.jpg)
Albrecht Dürer
Hortulus Animae - St. Nicolas, 1490-94
woodcut, paper
Iamge source: http://www.stnicholascenter.org/pages/collects/
St. Nicolas
.jpg)
Albrecht Dürer
Hortulus Animae - St. Nicolas, 1490-94
woodcut, paper
Iamge source: http://www.stnicholascenter.org/pages/collects/
Saturday, December 01, 2012
Saturday, December 01, 2012
Gyula Komjáti Wanyerka
Wheatcrosses (Búzakeresztek), 1927
etching, paper
152 × 225 mm
Image source: www.mke.hu
Interesting technique
Interesting technique, thread-like fibers entangled into each other. Nice. You can try it!
Gyula Komjáti Wanyerka
Wheatcrosses (Búzakeresztek), 1927
etching, paper
152 × 225 mm
Image source: www.mke.hu
Sunday, November 25, 2012
Sunday, November 25, 2012
Opening:
28th november 2012. 18 o'clock
A megnyitón hárfán közreműködik Németh Orsi
Elérhetőség:
Medence Szalon and concept store
1093 Budapest, Pipa utca 4.
phone: +36 1 303 4881
Megtekinthető:
29. november - 20. december 2012. M-F 10-19 o'clock, Saturday 10-16 o'clock
András Gross, thank you for the text and images.
Exhibition: Arnold Gross
Opening:
28th november 2012. 18 o'clock
A megnyitón hárfán közreműködik Németh Orsi
Elérhetőség:
Medence Szalon and concept store
1093 Budapest, Pipa utca 4.
phone: +36 1 303 4881
Megtekinthető:
29. november - 20. december 2012. M-F 10-19 o'clock, Saturday 10-16 o'clock
András Gross, thank you for the text and images.
Wednesday, November 21, 2012
Wednesday, November 21, 2012
May be the first illustrated book of Béla Kondor. Rising Africa - black poets antology (Ébredő Afrika - néger költők antológiája), is less known for the wide audience. You an watch them in the Kondor exhibition in Debrecen.
Rising Africa title, 1961
woodcut, paper
190 × 170 mm
Béla Kondor: Rising Africa series
May be the first illustrated book of Béla Kondor. Rising Africa - black poets antology (Ébredő Afrika - néger költők antológiája), is less known for the wide audience. You an watch them in the Kondor exhibition in Debrecen.
Rising Africa title, 1961
woodcut, paper
190 × 170 mm
Sunday, November 18, 2012
Sunday, November 18, 2012
Revolutionist, Prophet, Worker
Saturday, November 17, 2012
Saturday, November 17, 2012
Würtz Ádám:
Drawings
Publisher: Békéscsabai Megyei Könyvtár
Published year: 1981
Although this book has been published only 250 copies, it is worth to browse the unforgettable drawings of Adam Würtz.
Book review: Würtz Ádám drawings
Drawings
Publisher: Békéscsabai Megyei Könyvtár
Published year: 1981
Although this book has been published only 250 copies, it is worth to browse the unforgettable drawings of Adam Würtz.
Friday, November 16, 2012
Friday, November 16, 2012
Silent Conversation I., 1994
etching, paper
280 × 200 mm
Egidijus Rudinskas
Egidijus Rudinskas lithuanian artist. Graduated from the Vilnius Art Academy in 1986. Member of Lithuanian Society of Artists. 1990-stipendiary work at Kunstlerhaus Swalenberg, Germany. 1992 and 1995 - Lecturer in etching and drawing at Saarlandische Sommerakademie, Wadgassen, Germany.
etching, paper
280 × 200 mm
Tuesday, November 13, 2012
Tuesday, November 13, 2012
Béla Kondor
Saturday, November 10, 2012
Saturday, November 10, 2012
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Monday, September 17, 2012
Monday, September 17, 2012
Friday, September 14, 2012
Friday, September 14, 2012
Francisco Goya's (1746 - 1828) twentytwo sheet of the Los Disparates.
1. Disparate femina, 1816-23
etching, aquatint, paper
Francisco Goya: Los Disparates
Francisco Goya's (1746 - 1828) twentytwo sheet of the Los Disparates.
etching, aquatint, paper
Monday, September 10, 2012
Monday, September 10, 2012
Tuesday, September 04, 2012
Tuesday, September 04, 2012
Saturday, September 01, 2012
Saturday, September 01, 2012
Welcome to the mothers, 1974
offset, paper
70 × 100 cm
Posters of Károly Reich
offset, paper
70 × 100 cm
Thursday, August 30, 2012
Thursday, August 30, 2012
Lajos Szalay:
Lajos Szalay:
Impresiones de un immigrante
Wednesday, August 22, 2012
Wednesday, August 22, 2012
Some sheets of the Gipsy songs series.
Gipsy songs IV., 1978
etching, paper
218 × 120 mm
Kálmány Csohány: Gipsy songs
Some sheets of the Gipsy songs series.
etching, paper
218 × 120 mm
Wednesday, July 25, 2012
Wednesday, July 25, 2012
Landscape of Somogy, 1986
etching, paper
500 × 300 mm
Lajos Máté Csurgói
Lajos Máté Csurgói (1931 - 2001) hungarian artist. Between 1958-63 he worked in the etchingpress of Képcsarnok. Besides working as a creative writer, and he also worked as a musician. His work is mainly landscape and the representation of work. One of the main caracter of the ex-libris genre.
Landscape of Somogy, 1986
etching, paper
500 × 300 mm
Friday, July 20, 2012
Friday, July 20, 2012
Rhinoceros, 1515
woodcut, paper
214 × 298 mm
Dürer's woodcut is not an entirely accurate representation of a rhinoceros. He depicts an animal with hard plates that cover its body like sheets of armour, with a gorget at the throat, a solid-looking breastplate, and rivets along the seams; he also places a small twisted horn on its back, and gives it scaly legs and saw-like rear quarters. None of these features is present in a real rhinoceros. Despite its anatomical inaccuracies, Dürer's woodcut became very popular in Europe and was copied many times in the following three centuries. It was regarded by Westerners as a true representation of a rhinoceros into the late 18th century. Eventually, it was supplanted by more realistic drawings and paintings, particularly those of Clara the rhinoceros, who toured Europe in the 1740s and 1750s. It has been said of Dürer's woodcut: "probably no animal picture has exerted such a profound influence on the arts".
The German inscription on the woodcut reads:
"On the first of May in the year 1513 AD [sic], the powerful King of Portugal, Manuel of Lisbon, brought such a living animal from India, called the rhinoceros. This is an accurate representation. It is the colour of a speckled tortoise, and is almost entirely covered with thick scales. It is the size of an elephant but has shorter legs and is almost invulnerable. It has a strong pointed horn on the tip of its nose, which it sharpens on stones. It is the mortal enemy of the elephant. The elephant is afraid of the rhinoceros, for, when they meet, the rhinoceros charges with its head between its front legs and rips open the elephant's stomach, against which the elephant is unable to defend itself. The rhinoceros is so well-armed that the elephant cannot harm it. It is said that the rhinoceros is fast, impetuous and cunning."
Image and text source: wikipedia.org
Albrech Dürer: Rhinoceros
woodcut, paper
214 × 298 mm
Dürer's woodcut is not an entirely accurate representation of a rhinoceros. He depicts an animal with hard plates that cover its body like sheets of armour, with a gorget at the throat, a solid-looking breastplate, and rivets along the seams; he also places a small twisted horn on its back, and gives it scaly legs and saw-like rear quarters. None of these features is present in a real rhinoceros. Despite its anatomical inaccuracies, Dürer's woodcut became very popular in Europe and was copied many times in the following three centuries. It was regarded by Westerners as a true representation of a rhinoceros into the late 18th century. Eventually, it was supplanted by more realistic drawings and paintings, particularly those of Clara the rhinoceros, who toured Europe in the 1740s and 1750s. It has been said of Dürer's woodcut: "probably no animal picture has exerted such a profound influence on the arts".
The German inscription on the woodcut reads:
"On the first of May in the year 1513 AD [sic], the powerful King of Portugal, Manuel of Lisbon, brought such a living animal from India, called the rhinoceros. This is an accurate representation. It is the colour of a speckled tortoise, and is almost entirely covered with thick scales. It is the size of an elephant but has shorter legs and is almost invulnerable. It has a strong pointed horn on the tip of its nose, which it sharpens on stones. It is the mortal enemy of the elephant. The elephant is afraid of the rhinoceros, for, when they meet, the rhinoceros charges with its head between its front legs and rips open the elephant's stomach, against which the elephant is unable to defend itself. The rhinoceros is so well-armed that the elephant cannot harm it. It is said that the rhinoceros is fast, impetuous and cunning."
Image and text source: wikipedia.org
Saturday, July 14, 2012
Saturday, July 14, 2012
Film source: www.youtube.com
Hell (Pörgu), 1983
Estonian animation film by Rein Raamat. The film brings to life in one nightmarish vision three detailed engravings from the early 30's created by Estonian artist Eduard Viiralt: "The Preacher", "Cabaret" and "Hell".Film source: www.youtube.com
Monday, July 09, 2012
Monday, July 09, 2012
Robert Capa:
Henri Matisse in bed, 1949
photo
"Don't wait for inspiration. It comes while one is working."
Henri Matisse in bed
Henri Matisse in bed, 1949
photo
"Don't wait for inspiration. It comes while one is working."
(Henri Matisse)
Tuesday, July 03, 2012
Tuesday, July 03, 2012
Monday, July 02, 2012
Monday, July 02, 2012
.jpg)
Untitled, 1985
montage, wood
300 × 600 mm
„Az én kulcsom: papírvágó ollóm, amivel képes-papírokat vagdosok össze-vissza, mint egy gyermek, aki örömét leli vandál játékában... Kendős parasztasszonyokat csonkítok meg: arcukat kivágom és ráragasztom egy asztal lapjára, kivágom egy asztal két lábát és keresztet alakítok azokból, majd kivágom a Megváltót és egy csónak kereszt alakú fenékpallójára feszítem fel és átélem állandó szenvedését, ami sajátommá lett... Régi zsidó temetők sírkövei között bolyong a képzeletem: megidézi a múltakat és megidézem a múltamat, amit kivetítek egy olyan jövő fehér kartonlapjára, amelyen az idő cigánykereket hány: a létezőből nem létezőt és a nem létezőből létezőt hazudik, és egyedül a hitem tanúskodhatna titkaimról, de hitemről csak magam tanúskodhatnék, akinek nincs is hite, vagy ha igen, egyedül a képzelet rendjében hisz és a rend fegyelmezett képzeletében... Az éjszakák kíméletesebbek velem, mint a nappalok, álmokba taszítanak az éjszakák, de ezekkel az álmokkal nincs mit kezdenem, mert nem az akaratom alakította olyanná, amilyenek, míg a nappali álmaimat az akaratom és a képzeletem mozgása egy olló és papírragasztó segítségével emeli ki a közömbösség fagyott árkaiból.”
Other techniques: Endre Bálint - Untitled
.jpg)
montage, wood
300 × 600 mm
„Az én kulcsom: papírvágó ollóm, amivel képes-papírokat vagdosok össze-vissza, mint egy gyermek, aki örömét leli vandál játékában... Kendős parasztasszonyokat csonkítok meg: arcukat kivágom és ráragasztom egy asztal lapjára, kivágom egy asztal két lábát és keresztet alakítok azokból, majd kivágom a Megváltót és egy csónak kereszt alakú fenékpallójára feszítem fel és átélem állandó szenvedését, ami sajátommá lett... Régi zsidó temetők sírkövei között bolyong a képzeletem: megidézi a múltakat és megidézem a múltamat, amit kivetítek egy olyan jövő fehér kartonlapjára, amelyen az idő cigánykereket hány: a létezőből nem létezőt és a nem létezőből létezőt hazudik, és egyedül a hitem tanúskodhatna titkaimról, de hitemről csak magam tanúskodhatnék, akinek nincs is hite, vagy ha igen, egyedül a képzelet rendjében hisz és a rend fegyelmezett képzeletében... Az éjszakák kíméletesebbek velem, mint a nappalok, álmokba taszítanak az éjszakák, de ezekkel az álmokkal nincs mit kezdenem, mert nem az akaratom alakította olyanná, amilyenek, míg a nappali álmaimat az akaratom és a képzeletem mozgása egy olló és papírragasztó segítségével emeli ki a közömbösség fagyott árkaiból.”
Endre Bálint, 1981
Sunday, July 01, 2012
Sunday, July 01, 2012
Bretagne-i népünnep, 1896
litograph, paper
József Rippl-Rónai (1861-1927) was born 150 years ago, and this exhibition recalls his life and work. Rippl-Rónai's abundant drawing and printmaking activity is shown at the exhibition with such pieces that came into the property of the Hungarian National Gallery through the Museum of Fine Arts which received them as a gift from both the artist and three collectors playing an important role at the early 19th century Hungarian art life: Elek Petrovics, Simon Meller and Dr. Pál Majovszky.
A significant part of Rippl-Rónai's graphic works contains large-scale ink drawings prepared between the 1890s and the middle of 1910s. The pieces, originally dating from the 1890s from France, he only dated later and were most probably pre-dated. In most of the pieces, in fact dating back to the middle of 1890s, the model was Lazarine Baudrion, Rippl-Rónai's partner in Paris. On his pen drawings, sometimes coloured with aquarelle, Lazarine is dressing, lying on a bed, pedicuring, embroidering, sewing or reading with her hands under her chin. Outstanding pieces of the early pen drawings are the extremely plastic Female Nude (Marguerite Renard) and two pieces with a woman dancer on each. Some of the pen drawings were prepared in 1899 in a small Pyrenees village, Banyuls-sur-Mer where Rippl-Rónai spent three months as a guest of the sculptor Aristide Maillol. A piece of these is one of the most beautiful portraits of the artist, depicting Maillol's wife, Clotilde in a pondering, affectionate manner.
Contact:
Hungarian National Gallery
Budavári Palota
A-B-C-D building
H-1014 Budapest,
Szent György tér 2.
Opening:
Daily 10.00 - 18.00 except Monday
26 October 2011 - 23 September, 2012
Source: www.mng.hu
Exhibition: Rippl-Rónai - Pieces of Art from the Hands of Old Collectors
litograph, paper
József Rippl-Rónai (1861-1927) was born 150 years ago, and this exhibition recalls his life and work. Rippl-Rónai's abundant drawing and printmaking activity is shown at the exhibition with such pieces that came into the property of the Hungarian National Gallery through the Museum of Fine Arts which received them as a gift from both the artist and three collectors playing an important role at the early 19th century Hungarian art life: Elek Petrovics, Simon Meller and Dr. Pál Majovszky.
A significant part of Rippl-Rónai's graphic works contains large-scale ink drawings prepared between the 1890s and the middle of 1910s. The pieces, originally dating from the 1890s from France, he only dated later and were most probably pre-dated. In most of the pieces, in fact dating back to the middle of 1890s, the model was Lazarine Baudrion, Rippl-Rónai's partner in Paris. On his pen drawings, sometimes coloured with aquarelle, Lazarine is dressing, lying on a bed, pedicuring, embroidering, sewing or reading with her hands under her chin. Outstanding pieces of the early pen drawings are the extremely plastic Female Nude (Marguerite Renard) and two pieces with a woman dancer on each. Some of the pen drawings were prepared in 1899 in a small Pyrenees village, Banyuls-sur-Mer where Rippl-Rónai spent three months as a guest of the sculptor Aristide Maillol. A piece of these is one of the most beautiful portraits of the artist, depicting Maillol's wife, Clotilde in a pondering, affectionate manner.
Contact:
Hungarian National Gallery
Budavári Palota
A-B-C-D building
H-1014 Budapest,
Szent György tér 2.
Opening:
Daily 10.00 - 18.00 except Monday
26 October 2011 - 23 September, 2012
Source: www.mng.hu
Friday, June 29, 2012
Friday, June 29, 2012
ca 2, 1973
etching, aquatint, paper
490 × 400 mm
Jorge Castillo
Jorge Castillo painter, graphic artist. In 1948 he began an apprenticeship in technical drawing and educated himself autodidactically. With his move to Geneva in 1966 he had the opportunity to work with printed graphics. His most important etching sequences such as "El mundo de Frederico García Lorca" and "Grands amants"
etching, aquatint, paper
490 × 400 mm
Wednesday, June 27, 2012
Wednesday, June 27, 2012
.jpg)
Cricketmusic, 1977
linoprint, paper
330 × 330 mm
Károly Jurida
Károly Jurida (1935 - 2009) hungarian graphic artist. His master was Hincz Gyula. Active member of the Young Artists' Studio. In 1964-ben the Exlibris Friends (Kisgrafika Barátok Köre) issued a 12 page book with his small etchings. In 1971 he was paticipate the National Venice Graphic Biennale. He has illustrated books. Great master of graphic techniques. Typically figural, but visionary, imaginative artist..jpg)
Cricketmusic, 1977
linoprint, paper
330 × 330 mm
Sunday, June 24, 2012
Sunday, June 24, 2012
Few days remain from the exhibition which opened at the sümegi Püspöki Palace 19th may. The exhibition is from the collection of Krajcsi Tiborné and Kundermann Jenő.
Contact:
Püspöki Palota, Sümeg
Szent István tér 8. First floor
Opening:
End of june 2012. at the opening ours of the Püspöki Palota: Thuesday to Friday 9-17, Saturday and Sunday 10-17.
Source: www.kisgrafika.hu
Exhibition: Ex libris - From woodcut to computer graphic
Few days remain from the exhibition which opened at the sümegi Püspöki Palace 19th may. The exhibition is from the collection of Krajcsi Tiborné and Kundermann Jenő.
Contact:
Püspöki Palota, Sümeg
Szent István tér 8. First floor
Opening:
End of june 2012. at the opening ours of the Püspöki Palota: Thuesday to Friday 9-17, Saturday and Sunday 10-17.
Source: www.kisgrafika.hu
Thursday, June 14, 2012
Thursday, June 14, 2012
Monday, June 11, 2012
Monday, June 11, 2012
The first an last picture of the book is the same, a decent-looking hungarian man who teach a hungarian dressed boy. In the distance the towers of Lőcse.
Jónás Bubenka
Jónás Bubenka (17. century) hungarian woodcutter, one of the geatest hungarian artist of the XVII. century, although the printmakeing were practiced only by occupation. He illustrated with 152 nice woodcut Comenius Amos's 1679 published Orbis Pictus children's book.The first an last picture of the book is the same, a decent-looking hungarian man who teach a hungarian dressed boy. In the distance the towers of Lőcse.
Saturday, June 09, 2012
Saturday, June 09, 2012
Thursday, June 07, 2012
Thursday, June 07, 2012
End of the village
etching, paper
310 × 400 mm
István Boldizsár
István Boldizsár (1897 - 1984) hungarian painter, printmaker. He learned etching at Sándor Kubinyi's school, then Valér Ferenczy, Károly Patkó and he familiarize the technique with the nagybányai artists. In Rome 1928 he has a representative exhibition from a selection of his etchings, he has a great success.
etching, paper
310 × 400 mm
Wednesday, June 06, 2012
Wednesday, June 06, 2012
Gyula Feledy Kossuth-prize graphic artist, painter, honorable and great artist. Main caracter of the new graphic generation at the 1950's. He was initiated the Miskolci Graphic Workshop and the Hungarian Graphic Biennale series.
„In my work has a literary influence,… I was inspired that the overriding philosophy of art is it's own literature, but I think that it the opportunities for artists as well ... "
artist of the Month: Gyula Feledy
Gyula Feledy Kossuth-prize graphic artist, painter, honorable and great artist. Main caracter of the new graphic generation at the 1950's. He was initiated the Miskolci Graphic Workshop and the Hungarian Graphic Biennale series.
„In my work has a literary influence,… I was inspired that the overriding philosophy of art is it's own literature, but I think that it the opportunities for artists as well ... "
(Feledy Gyula)
Saturday, June 02, 2012
Saturday, June 02, 2012
You can view the works here: Ex Libris entries
Ex Libris entries
More than 220 entries were sent at Benedek Elek Debreceni Városi Könyvtár's Ex Libris contest.You can view the works here: Ex Libris entries
Tuesday, May 29, 2012
Tuesday, May 29, 2012
Tuesday, May 29, 2012
Tuesday, May 29, 2012
József Koszta (1861 - 1949) Kossuth-prize hungarian painter, member of the Alföld School (Painters of the Alföld). He also made some etchings. I just find this one.
Harvesters
etching, aquatint, paper
225 × 285 mm
source: axioart.hu
József Koszta
József Koszta (1861 - 1949) Kossuth-prize hungarian painter, member of the Alföld School (Painters of the Alföld). He also made some etchings. I just find this one.
etching, aquatint, paper
225 × 285 mm
source: axioart.hu
Saturday, May 19, 2012
Saturday, May 19, 2012
Graphic education at
A little history about the new College of arts and Crafts after the war. This year Konecsni György has started the applied arts department. Valueable document about hungarian artists and education.
Teachers of College of Arts and Crafts in 1946:
Kozma Lajos - director
Konecsni György - teacher of applied arts
Hincz Gyula
Borsos Miklós
Miháltz Pál
Famous students
Kass János
Feledy Gyula
Gross Arnold
Reich Károly
(only in hungarian)
The graphic artists perfectiong their knowledge at the College of Applied Arts under the direction of great masters.
(Budapest, march 1946)
Video source: filmhiradok.nava.hu
Graphic education at
the College of Arts and Crafts
A little history about the new College of arts and Crafts after the war. This year Konecsni György has started the applied arts department. Valueable document about hungarian artists and education. Teachers of College of Arts and Crafts in 1946:
Kozma Lajos - director
Konecsni György - teacher of applied arts
Hincz Gyula
Borsos Miklós
Miháltz Pál
Famous students
Kass János
Feledy Gyula
Gross Arnold
Reich Károly
(only in hungarian)
The graphic artists perfectiong their knowledge at the College of Applied Arts under the direction of great masters.
(Budapest, march 1946)
Video source: filmhiradok.nava.hu
Thursday, May 10, 2012
Thursday, May 10, 2012
Ex libris, 2012
etching, paper
55 x 100 mm
Ex libris
etching, paper
55 x 100 mm
Friday, May 04, 2012
Friday, May 04, 2012
M.C. Escher
Dokumentary about M.C. Escher
Friday, April 27, 2012
Friday, April 27, 2012
Európának ezen a felén..., 2012
(This side of Europe...)
mixed technique, paper
420 × 594 mm
A vadkacsák, akik nem értek oda, 2012
(The Mallards, who weren't there)
mixed technique, paper
420 × 580 mm
This side of Europe...
(This side of Europe...)
mixed technique, paper
420 × 594 mm
(The Mallards, who weren't there)
mixed technique, paper
420 × 580 mm
Tuesday, April 24, 2012
Tuesday, April 24, 2012
.jpg)
Utagawa Kuniyoshi
Takiyasha the Witch and the Skeleton Spectre, 1844
color woodcut, paper
370 × 750 mm
Source: wikipédia.hu
Utagawa Kuniyoshi
.jpg)
Utagawa Kuniyoshi
Takiyasha the Witch and the Skeleton Spectre, 1844
color woodcut, paper
370 × 750 mm
Source: wikipédia.hu
Saturday, April 21, 2012
Saturday, April 21, 2012
Thursday, April 19, 2012
Thursday, April 19, 2012
Wehner Tibor:
Vertel József
Publisher: Árgyélus Kiadó
Year: 2002
Content: 72 oldal
Language: hugarian, english
One of the greatest stamp designer. The well-considered graphic work, the classical copperplate engraving and etching are also a part of his activity after long decades.
source: issuu.com
Book review: József Vertel
Wehner Tibor:
Vertel József
Publisher: Árgyélus Kiadó
Year: 2002
Content: 72 oldal
Language: hugarian, english
One of the greatest stamp designer. The well-considered graphic work, the classical copperplate engraving and etching are also a part of his activity after long decades.
source: issuu.com
Wednesday, April 18, 2012
Wednesday, April 18, 2012
Ex libris '12, 2012
etching, paper
ex libris
etching, paper
Monday, April 16, 2012
Monday, April 16, 2012
Sunday, April 15, 2012
Sunday, April 15, 2012
Margit Artner exhibition at the XIII. District Mayor's Office City Hall Gallery. The etchings and bronze sculptures can be viewed in the gallery during the opening hours up until 8th May.
Contact:
Városház Galéria
1139 Budapest, Béke tér 1.
Tel: 06-80-200-306
E-mail: ugyfelszolgalat@bp13.hu
Opening:
5th april 2012 - 8th may 2012 (Monday 13:30 - 17:30, Wednesday 8:00 - 16:00, Friday 8:00 - 11:00)
Exhibition: Margit Artner
Margit Artner exhibition at the XIII. District Mayor's Office City Hall Gallery. The etchings and bronze sculptures can be viewed in the gallery during the opening hours up until 8th May.
Contact:
Városház Galéria
1139 Budapest, Béke tér 1.
Tel: 06-80-200-306
E-mail: ugyfelszolgalat@bp13.hu
Opening:
5th april 2012 - 8th may 2012 (Monday 13:30 - 17:30, Wednesday 8:00 - 16:00, Friday 8:00 - 11:00)
Saturday, April 14, 2012
Saturday, April 14, 2012
Source: kgy.nava.hu
Uitz (1968)
Kis József has made a lot films about famous person. Uitz Béla has a great impression of Hungarian art, with his activist style, dramatic voice and his construction.Source: kgy.nava.hu
Friday, April 13, 2012
Friday, April 13, 2012
_172x200.jpg)
Woman and beast, 1904
etching, aquatint, paper
172 × 200 mm
Paul Klee
Paul Klee (1879 - 1940) swiss painter, printmaker. In his first period (1903-1914) he has made etchings._172x200.jpg)
etching, aquatint, paper
172 × 200 mm
Wednesday, April 11, 2012
Wednesday, April 11, 2012
Untitled, 2011
pen, ink, paper
195 × 145 mm
Drawing
Today is a good day. Successful Ex libris print. I think this will be one of that I send out for the tender. Unfortunately I can't photograph it yet. May be next time. Here it is an older one drawing fom the secret folder.
pen, ink, paper
195 × 145 mm
Sunday, April 08, 2012
Sunday, April 08, 2012
.jpg)
Sheridan Oman
Untitled (rabbit in the grass), 1981
etching, paper
forrás: www.annexgalleries.com
Happy easter day!
.jpg)
Untitled (rabbit in the grass), 1981
etching, paper
forrás: www.annexgalleries.com
Sunday, April 01, 2012
Sunday, April 01, 2012
Friday, March 30, 2012
Friday, March 30, 2012
Night in New York, 1926
etching paper
215 × 226 mm
Martin Lewis
Martin Lewis (1881 - 1962) ausztralian artist. In 1900, Lewis left Australia for the United States and learned from Edward Hopper the basics of etching
etching paper
215 × 226 mm
Sunday, March 25, 2012
Sunday, March 25, 2012
Mihály Csiby ex libris exhibition at Országos Széchenyi Könyvtár before the Plakát- és Kisnyomtatványtár 4 april 2012. 17 o'clock.
Contact:
Országos Széchenyi Könyvtár
before the Plakát- és Kisnyomtatványtár
Budavári palota F building
Openings:
4 april - 10 september 2012
Open: Tuesday - Saturday 10:00 - 18:00
Szöveg és kép forrása: facebook.com
Exhibition: Mihály Csiby
Mihály Csiby ex libris exhibition at Országos Széchenyi Könyvtár before the Plakát- és Kisnyomtatványtár 4 april 2012. 17 o'clock.
Contact:
Országos Széchenyi Könyvtár
before the Plakát- és Kisnyomtatványtár
Budavári palota F building
Openings:
4 april - 10 september 2012
Open: Tuesday - Saturday 10:00 - 18:00
Szöveg és kép forrása: facebook.com
Saturday, March 24, 2012
Saturday, March 24, 2012
Puzzle: Who made this?
Wednesday, March 21, 2012
Wednesday, March 21, 2012
Sunset, 1950
etching, paper
155 × 233 mm
Gyula Rudnay
Gyula Rudnay (1878 - 1957) Kossuth-prize hungarian painter, graphic artist, teacher. He started to resuscitation the hungarian tradition in his oeuvre. These etchings are less well known to the audition.
etching, paper
155 × 233 mm
Wednesday, February 22, 2012
Wednesday, February 22, 2012
Árgyélus tales I., 1984
etching, paper
160 × 120 mm
István Püspöky
István Püspöky Munkácsy-prize hungarian painter and graphic artist. He especially make large sized drawings, colored etchings and mixed technique pictures. Below there are 15 sheet of the Árgyélus tales etching series.
etching, paper
160 × 120 mm
Monday, February 13, 2012
Monday, February 13, 2012
.jpg)
Ex Libris Elisa Tramontin
lino- or woodcut, paper
Other Techniques: Lenke Diskay
Lenke Diskay (1924 - 1980) one of the main character of the hungarian ex libris community. She mostly made wood and linocuts..jpg)
lino- or woodcut, paper
Thursday, February 09, 2012
Thursday, February 09, 2012
Wednesday, February 08, 2012
Wednesday, February 08, 2012
Ex libris (Probe), 2012
etching, paper
76 × 40 mm
My first Ex libris
etching, paper
76 × 40 mm
Saturday, February 04, 2012
Saturday, February 04, 2012
Book review:
Dr. Nagy Róbert:
A Szalay Házaspár Hétköznapjai
(Days of the Szalay couple)
Publisher: Miskolci Galéria
Year: 2011
Content: 46 pages
Language: hungarian
Image and text source: masza.net
Book review:
Days of the Szalay couple
A Szalay Házaspár Hétköznapjai
(Days of the Szalay couple)
Publisher: Miskolci Galéria
Year: 2011
Content: 46 pages
Language: hungarian
Image and text source: masza.net
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